A thousand sugar iced handkerchiefs are suspended from the branches of beech trees, forming a lilac swathe through the foliage canopy. Installed in June, Amnesia is left to the elements to slowly dissolve and disintegrate throughout the summer and autumn months.
Strewn across the bare floorboards of the gallery, a secondhand child’s red velvet dress is transformed in its entirety into buttons, including the seams, even the label. Made during a residency and exhibited in the year of the overthrow of Milosevi, following the Nato intervention in the war conflict in Kosovo in 1999 and the …
Handmade ‘film’ of dispersing dandelion seeds, rotated by metal turning machine in disused farm forge.
A meditation on internal and external landscapes, following a research period in Iceland. The Interior is the internal landscape of Iceland that is wild and mostly uninhabitable lava fields, volcanos and glaciers. Digitally coloured photographs indicate how every hill, river, crossing, island or rock represents one of the forces of nature sunk into matter. Whilst …
A length of outsized knitting is abandoned on a tiny table. Green, then white rope forms an institutional, knitted wall that falters, precariously dropped stitches on each row tagged till only one stitch remains on the needle. Made during a residency and exhibited in the year of the overthrow of Milosevi, following the Nato intervention …
A thousand sugar iced handkerchiefs are suspended from the branches of beech trees, forming a lilac swathe through the foliage canopy. Installed in June, Amnesia is left to the elements to slowly dissolve and disintegrate throughout the summer and autumn months. A group exhibition of temporary installation art, included Anya Gallaccio and Mike Nelson.
